Every summer Rose comes to the same house at a beach with her family. She has always loved being there but this year things have changed, her parents are always fighting and her relatonship with her best friend Windy is strained.
A lovely graphic novel. The art is great with an amount of detail that rewards looking closer. This is more character-driven than plot-driven, but I loved the atmosphere so that didn't bother me. Themes touched upon are growing up, sexuality and relationships of all kinds.
Wow, this was really good.
A brave and honest portrait of living with a mental illness and how that intersects with being an artist and being creative.
Great art that can really capture a mood and gives you lots of stuff to think about. And despite the subject matter this is very readable and even funny.
Anyone else still out there doing this challenge?
David Sedaris; Me Talk Pretty One Day
Funny stories about language and learning
Emily Gravett; Little Mouse's Big Book of Fears
Picture Book about fears with some really neat ideas. I especially liked the pull out map for the Isle of Fright.
I picked this up because, after years of identifying as femme, I was conscious that my sense of gender had shifted quite a bit, and I wanted to work through what that meant to me. I never read the old edition of this book, but from what I gather, the main difference is that the new one has a lot of discussion of intersectionality. I get the impression that the concept was still quite new to Bornstein when she wrote the revisions, and it shows a bit; it approaches intersectionality very much as something that may shed additional light on gender and never really looks at how some gender discourse might inadvertently contribute to other forms of oppression. That said, the theory section does explain the basics of gender theory pretty well and would be worth giving to a newcomer to the issue for that alone. Personally, given my objective in reading this, I probably got most out of the second part of the book, which consists of exercises to help you understand your own gender better; the third part, which offers suggestions for how to "do" your gender, assumes that the reader is trans and therefore didn't have much for me as a cis person. Normally I wouldn't mind this, because more stuff that isn't about the privileged people is generally a good thing; but there was more than a whiff of "everyone's trans really" about the way the assumption was presented, and that grated.
This is the second in a children's fantasy trilogy written by John Barrowman (actor-singer, best known in the UK as Captain Jack Harkness in Doctor Who and Torchwood) with his sister, Carole. It's set on an altered-geography version of Cumbrae, an island I've been visiting almost annually since childhood. I read the first of the trilogy last year and enjoyed it, but had some concerns about some of the ethical implications of the worldbuilding that didn't seem to be fully recognised in the text. Briefly, this is a universe where a minority have psychic powers, some of which are dangerous, and the in-universe solution is to assign the dangerous ones a "Guardian" from amongst the "safe" ones who exercises a form of mental control over them. My problem is that this setup is presented as a good and even a romantic thing. I'd hoped that the sequel might explore some of the darker implications, but it didn't, and there was nothing lead me to expect that the final instalment will, either. Compared to the first in the series, I was also more conscious with this one of being nearly four decades older than the target audience. For instance, I think if I'd read this as an eight-year-old, I might have been less bothered by the lack of any real evidence of religion in the medieval monastery where part of the action takes place. Given all of that, I think I probably won't bother to read the third.
I see I didn't post this here when I first read it for some reason. I was a bit disappointed by it; I didn't really feel Davis answered the question of the title. She seemed to spend most of the chapters showing how racist and sexist the prison system is, which I kind of already knew, although I did learn some new detail about the US version. There was very little about restorative justice or other alternatives to prison. Pointing out the oppression that's endemic in the prison system is important, but I'd have liked to hear more about possible solutions too.
This is a collection of Jansson's semi-autobiographical prose. I wanted to like this, because Moomins, but I just didn't get on with her authorial voice, at least as translated here. I'm not sure I can articulate my reasons any more than that.
A beautifully spare love story, giving just enough detail, and drawing the reader in with clever use of second-person pronouns - and never, so far as I can see, revealing the gender of the other party, the more readily to allow identification. To Levithan's great credit, the dictionary conceit didn't pall (and I say this as someone who's tired of dictionary definitions popping up on flyleaves and elsewhere one might expect an edifying quotation or whatever). An engaging, bittersweet book.